Category Archives: Public Notebook

Writings, scribblings, and other effluvia

PN #10: just stop for a second

Is it fear or boredom?

Is it depression or uncertainty?

Are you burnt out or shutting down to recharge?

Why don’t we think about our minds the way we do our bodies? If you have a cold with the accompanying sneezes, coughs, and headache, you don’t try to outthink it. If you slam your knee into the side of a cabinet, you don’t assume you can “snap out of” the pain.

But when your mind is tired? When you start to spiral? When the bottom seems closer to the top? You refuse to rest. You don’t stop and think it’s something that will pass with time. You convince yourself that you’re bad, dumb, slow, untalented.

You should stop doing that.

Bodies don’t necessarily become stronger when they heal from injury. But they do learn new information. So do minds. You won’t come out on the other side of this experience with nothing. But your period of learning must be preceded by a period of rest.

Just shut down for a while. Recharge. Keep yourself from overheating. The machine of your mind can’t run at the same pace forever. If it does, some of the parts will fail.

PN #9: Fathers and daughters

At the Father/Daughter Dance, a friend of mine and I were standing outside the gym talking to a third father about our jobs.

(This is not really a dance for fathers after and daughters about third grade or so. After that it’s really a Fathers Get Abandoned by Their Daughters and Go Play with Their Friends. Which is fine.)

My friend works in public service, too, but in the suburbs and in a way that is more street-level than mine. We’d both described our jobs as some variation of getting yelled at by people. His is more of that than mine is most days though that week I’d seen my fair share of it.

On some level, that’s the job. You’re trying to fix things (usually me) or keep bad things from happening (usually my friend) and people disagree with you so there’s yelling. Sometimes at yelling volume, sometimes not.

But then you leave work, come home, and there’s less yelling.

That’s because neither my friend nor I have our names on the door.

At some point, we decided it was OK to follow that person home and keep up the yelling there, too.

Look, like it or not, we’re public servants. So getting yelled at in public – maybe it’s in a meeting, a political event, or maybe it’s in a restaurant – goes along with the job. You’re being yelled at but they’re not yelling at you so much as they’re yelling at (or about) what you represent.

That third father at the dance? He kinda shook his head at me and my public sector friend as we were taking a break from wondering where our kids were inside a dark gym colored by the strains of Taylor Swift. I don’t think he saw the good that comes with the bad of a job like ours.

I remember having a disagreement with a former co-worker about the phrase “public servant.” He hated it. Didn’t care for being thought of as a servant to anyone. Or really having to explain himself to the public. He works in the private sector now but is still public-adjacent which I suppose is the best of both worlds but also I don’t think you learn as much.

If you can listen to what’s behind the words or talk to someone when they think no one’s watching them yell? You’re going to learn something.

The exchange has to happen in public though.

I don’t think I’d have been OK getting yelled at during the Father-Daughter Dance. Technically, it’s in public, but … less so. Mainly because there are other fathers and daughters there and they didn’t sign up for that.

Neither do neighbors. So it’s why the tactic of showing up at someone’s house to yell at them strikes me as particularly venal.

I’m all for protest. Uncomfortable protest. The societal pressure of public debate. But that’s what a public space is for.

Home is for rest. For a brief reprieve from the public. For television and birthday parties. For fathers and daughters.

Follow someone home? Keep up the yelling there? I’m not sure what that achieves other than hearing the sound of your own voice. That’s not a public debate, that’s a photo op.

And if you’re afraid of having that debate in public, well…maybe you’re not cut out for jobs like the kind me and my friend have.

PN #8: untitled

There are some nights when you can’t outrun the moon.

It hangs over you, following your thoughts, resistant to the morning.

We tell ourselves there’s a happy ending, a resolution. When we peer inside from far out – unable to offer anything more than applause, cheer, or good feelings – we miss the sharp cuts and the depth of the patterns. We’re supposed to, for their protection and maybe our own.

Then all that’s left is the end. The aftermath. Meager offerings and cleanup.

Meanwhile, the sun rises and the moon remains.

PN #7: “I Drove All Night” is perfect

What are the songs that drop by unannounced in your brain every 3-4 months? “Drove All Night” is one of those songs for me.

Is it a perfect song? Yes. Yes, it is. Do you know WHY it’s a perfect song? Because you can’t explain why. That’s why. It’s otherworldly. It came to this planet on a mission of peace but found us unable to fully accept its gift.

It was written by the same two men (!!!) who wrote “Live A Virgin,” “Eternal Flame,” and “I Touch Myself.” The same two dudes wrote all of those songs.

We get real wrapped up in the mythos of Robert Johnson going down to the crossroads to make a deal with the devil meanwhile we are ignoring the fact that two white guys from Illinois and California, respectively, dropped all that plus “Alone” and “True Colors” over the course of ten years.

Another reason why it’s a perfect song? It works on just about any template and defies your efforts to name one version as “definitive.”

The Roy Orbison one comes closest to marrying function and form. A song called “Drove All Night” evoking the transmission of a muscle car, two-lane highways, and longing? 10/10, no notes even though it is the most Jeff Lynne production to every Jeff Lynne.

(God, I forgot Jason Priestly and Jennifer Connelly are in the video. What if “Wild At Heart” was extremely wholesome and wanted to sell you Gap jeans? That’s this video.)

Then the Cyndi Lauper one slides up behind you and whispers in your ear inside a Vegas night club before absolutely knocking you out with the business end of a vodka bottle. You have not heard louder drums since David Bowie recorded “Let’s Dance.”

Hers was the first version to be a hit (Orbison’s version was recorded two years earlier, but would be released three years after Lauper’s.) Like most of Lauper’s hits, it is demanding and self-assured but vulnerable thanks to the same keyboard fills that lit up her She’s So Unusual album anytime things got a little too serious.

Also, let’s take a moment to appreciate Lauper stealing the hell out of Madonna’s Breathless Mahoney vibes right out from under her a year before Dick Tracy came out.

I want to say nicer things about Celine Dion’s version but twenty-odd years later it a) is clearly the beginning of her hiatus era; b) sounds like a blurry copy of Cher’s “Believe”; and c) is perfectly calibrated to sell minivans to people who wish they owned luxury sedans. It’s…fine.

The strength of “Drove All Night” is fully realized when you head down a YouTube rabbit hole. Want a heartbreaking, slowed-down acoustic version with a soaring vocal? Done. Latin outlaw country? Done.  A British woman who looks like she should be in a West End production of Phantom of the Opera who sounds like the Celine Dion version should sound like? We got you.

Chisel that shit on a mountain somewhere.

PN #6: What if it was 2008 again?

Yesterday Andrew and I were taking part in that late 2022 discussion of “where are we going to go after Twitter dies/gets overrun by Nazis?” We briefly debated Mastodon vs. Hive vs. Post and eventually landed on Tumblr and/or Actual Blogging being the better options.

And then today Whet said something similar in response to a tweet referencing a Substack post referencing a Scalzi blog post which started as a tweet and…I dunno: what if the Internet we wanted to go back to was with / inside us all along?

Everybody’s like “where should we go now that this place is closing?” like we’re at a 2am bar that has gone full shitshow and have once again forgotten our only options are places worse than this one.

Good luck at Mastodon, the Tai’s Til 4 of the Internet.*

I’m Tumblr-curious again. Visiting my dashboard now is a bit like going to a bar or club I used to frequent when the interior has changed and the menu is different, but it still sort of smells the same. To extend the metaphor, I haven’t ordered a drink yet but I’m looking over the menu.

(After I wrote the above, I realized I wrote a whole “Why I’m quitting Tumblr” thing which is just hilarious and quaint. Especially the update at the bottom.)

Last month, I started messing around with this site again, but purposely walled it off. These “public notebook” posts don’t show up on the main page and aren’t search engine-able. (But I think they show up in the RSS feed?) Not impossible to find, but not easy. Maybe I occasionally post a link back here via Twitter or Instagram something. It’s a pirate radio station from a long-dormant satellite that only people who are still occasionally checking the frequency can hear. It’s less important to me now that a lot of people see this and more important that it’s like that Joel Hogsdon quote about Mystery Science Theater 3000: “the right people will get it.”

It’s public, but it’s somewhat in shadow. A Dark Public space, maybe.

Some of this is particular to me, but I think it’s also reflective of what social media became.


Part of my desire for a Dark Public space is what happens when you exist online now.

For all the hosannas Gawker received when it folded, few of us reckoned with how it was a stake through the heart of Being Weird Online. Their approach meant everyone with any kind of public self was fair game for attack. The “Gawker Stalker” approach made quick leaps from Lindsay Lohan to Julia Allison to random people on the street. One tweet suffering from context collapse gets signal boosted onto a Gawker offshoot and you lose your livelihood, your life, and your name becomes a shockwave of think pieces and cautionary tales.

Like Ronson, I was once a believer in the idea that the field of battle was waged in an online marketplace of ideas. But at some point we have to reckon with the fact that Twitter is maybe 10 percent of real life. If you want to fix shit, you have to go offline and wrestle with the very complicated notion that ideas are nice, but unless you can reckon with the world as it is you’ll never make them a reality. 

L’affaire de Justine is perhaps a too-fraught example. But that’s the gist. I know I’m not the only one of my Web 2.0 era who longs for … a quieter web? But also the one that was supposed to be about nuance, complexity, and the voices that often were drowned out by power.

I remain very much Team Consequences for Your Actions, but not Team Horrific Consequences if Your Actions Affected No One. Or Team Matching Consquences To Actions. We haven’t figured that out yet. Especially when the alleged harm is claimed by those who haven’t experienced it. Or how bad-faith actors leverage the incentives of social discourse to obscure and eradicate the real harm.

Back in 2008, I remember thinking an internet that was fueled by primary sources who could speak directly to the audience was Going To Be Good. At the time, gatekeepers were watering down the message, allowing power structures to dictate the discourse, and keeping minority opinions, voices, and people at the back. In its best form, the idea was to stand for a broader coalition that could become the best of our ideals. It was a very Gen X mindset if we consider Gen X as the weird geeks and dweebs in the class and not the sportos and dickheads we were sitting next to.

That all worked out terribly because now we have Nazis again. And anti-vaxxers. We forgot the very American way the pendulum swings back against any progress. Start with Reconstruction, make a quick stop at the rise of American fascism in the 1940s as a response to FDR, and watch history rhyme rather than repeat. (Thankfully, Gen Z is building on what the geeks and dweebs started.)


Anyway, that all happened.

I spent a good portion of 2004-2014 writing online with a lot of anxiety but not a lot of fear. Some of it evolved into occasional live storytelling, offline organizing, and even a professional gig that felt like the perfect combination of writing and action, for a time.

Much of it was aimed at improving civic life (or aspired to be). And then I got a gig that was all about that. Though I haven’t completely left behind the persona of someone who weaves together Chicago, humor, and social critique, it still looks different these days.

All the incentives for leaving a digital trail seemed bad. I started deleting tweets in 2018. I took a year off of Twitter in 2019 (remind me to tell you that story sometime) and this site has (like the platforms of many of my Web 2.0 cohorts) become a bit of an abandoned mining town.

I’d stake out some territory through the occasional essay, but mostly I’ve spent the last decade or so trying to figure out my “why” of writing online. And the what. For obvious reasons, Chicago civic life is not a thing I can easily opine on when I’m in the middle of it. I’ve chosen a life aimed at the inside game, rather than an outside one. No regrets about that, but I miss writing with impact.

(Also there’s parenting. And partnering.)

A couple years ago a bunch of us thought newsletters were going to be the answer to getting back to a Dark Public web. And then wouldn’t ya know, the Substack guys turned out to be sportos and dickheads, too.

I thought I had a new approach to writing online in 2020. It was an experiment, for me, in a different type of writing and I found it just wasn’t my thing. Substack throwing money at certain types of folks and pretending that didn’t make them publishers? It was a factor too.

That’s a lot about me, but based on conversations I’ve been having with others lately, I think we all have a version of this.

With Venture Capital Lyle Lanley buying Twitter, it seems like the last place to still experiment online is disappearing, but it’s not. Like the Web 1.0, when you encounter an error you route around it. Tumblr still exists. Blogs still exist. RSS is still there.

All the bad incentives are still out there but we can route around it. It starts with getting away from something “doing numbers.” Scale is for suckers. Quality of audience beats quantity every time. Twitter was the best when it was you and 50 people you “knew.”

Go back into the warehouse where you’ve kept the old machine under a tarp and start it up again.

Just don’t tell anybody about it.

Or just tell the right people.

* Yes, this is me re-using a tweet but honestly this just confirms the above thesis. Both in terms of blogging again but also returning to 2008-era-mindsets.

PN #5: Hope is not wishes and prayers

Hope is not a fuzzy, rainbow-covered alternative to the facts on the ground.

It is reflective of our present moment, not a future that should only live in our imaginations.

Hope is a collection of sparks that need oxygen.

It’s a vision of a path that begins in your immediate vicinity. Hope is the ability to clear the path as it gets harder to see the farther away you get from where you stand now.

Hope is not waiting for someone to save you. Hope is saving yourself.

PN #4: derailleur, derailed

A hunk of twisted metal and plastic. That’s all it is now.

It used to be the derailleur on my bike. The piece that helps me go faster or slower. Or work harder. Or make things a little easier.

You need it to shift gears.

No idea how or why it broke. I started to pedal up a hill, shifted gears, and SNAP. It twisted up and over the sprockets. Every bike nerd I showed it to expressed shock and disbelief that such an orientation was possible. “It’s not supposed to do that.”

It was only a couple of months old so it must have been installed wrong. But the metaphor that occurred to me was one of trying to do too much. Shifting too quickly. Or overextending.

So now it sits on the windowsill in my office. As a visual reminder to check your equipment and don’t shift into something new too quickly.

PN #3: untitled

“I don’t see a way in which this doesn’t end badly.”

It had been going on for months. But lately he’d been thinking about that first couple weeks. The initial rush followed by the almost immediate concern for Where This Was Headed.

The two of them were not people who settled into things easily. Couches, maybe. But not new relationships. They were overthinkers and oversharers who overthought whether they should have shared that much.

It was exciting at first. Tentative steps became jumps with both feet. Each got a little lost in the other.

Truth be told, he was more uncertain than she. This was a pattern, of course. A mixture of general anxiety and an unwillingness to be honest about what he wanted. His style was to wait until enough pressure built and wait for things to blow up. This was…not ideal.

So was he trying to signpost a different way for himself this time? A warning to her? Still unfair, and less than ideal. But progress?

He was right, of course. But things ended badly because of the way they started. And that was his fault. A signpost at the start, yes. But the wayfinding trailed off after that.

PN #2: This fucking guy

From this story:

On the Republican side, Carlson has an uphill battle and has had to address that he spent nearly six years in prison after being convicted 27 years ago of sexually assaulting a woman following a South Side Irish Parade.

Yes, I suppose that could be described as … an uphill battle.

Or a complete dereliction of duty by the Cook County GOP to prevent a man who served time for sexual assault from running for Congress in its midst.

From an election preview story back in June:

According to court records in his unsuccessful appeal of his conviction, Carlson met a woman at a bar in 1994 near the South Side Irish Parade route on the day of the parade.

The woman testified she left the bar with Carlson and agreed to accompany him in his car to another bar, but instead he pulled the car around a street corner and assaulted her as she begged him to stop, according to court records in the case.

But according to the candidate, this isn’t disqualifying. In fact, it’s a point in his column.

Asked last week whether the sexual assault conviction would make it difficult for him to represent residents of the district, which stretches from the South Loop to the edge of Kankakee County, Carlson said he is better suited than other candidates to represent citizens in Washington, D.C., “because I know the ins and outs of the system.”

“I’m the only one who has lived all of this stuff,” he said.

For all the hand-wringing the Illions and Cook County GOP are doing over the SAF-T Act, they sure seem to have not noticed that they have a violent criminal running for a Congressional seat who sees his violent acts as a reason to support him.

One could see this as a pattern:

The long-shot candidacy of a Holocaust denier’s Republican bid for Congress was defeated Tuesday, but not before the neo-Nazi received more than 56,000 votes in Illinois’ 3rd District.

[snip]

Jones, a 70-year-old from Lyons, had run for office several times before but never advanced to the general election. He received 20,681 votes when he ran unopposed in the Republican primary in March.

Jones has previously described himself as a “white racialist,” or someone who “knows the facts of race,” in an interview with the Chicago Tribune.

A former member of the American National Socialist Workers Party, Jones said he also opposed equality, interracial marriage and school integration.

So for those keeping track: In the last six years, the Cook County GOP has allowed a Nazi and a rapist to run for Congress.