Category Archives: Internet

Blogs, social media and digital ethics

What's next?

As of next week, I will no longer be at Time Out Chicago as its Web Editor. I’m moving to Playboy.com to be a Senior Editor, writing and editing content for the site.

I went round and round as to how to properly announce this, going so far as to write a longish post detailing how lucky I’ve been, over the past few years, to be in the right place and the right time for the explosion in online discussion and innovation, and how I’ve seemingly had the right mindset for how to properly guide sites from a bundle of potential to the leading voices in local online culture. But it all seemed to strike the wrong tone, and didn’t do enough to acknowledge all the people and moments along the way. And there were many.

So I’ll just say I’ve been incredibly happy/lucky to work with some talented folks, but I’m really looking forward to the future. We’ve done some great work at TOC, but I know there are still tremendous opportunities for whomever follows me. While not everything has gone the way I’d have liked, I was allowed to take chances there that paid great dividends and I hope they continue to embrace that spirit.

Those that follow media will surely know that Playboy’s had its share of turmoil over the past few months, like any other publication. Be that as it may, I’m incredibly excited about the opportunity to work for one of the great Chicago institutions. I’ve….er, been a fan of the publication for a long time and feel like I’m stepping into history in many ways. For someone who loves Chicago as much as I do, it’s a great position to be in. At TOC, I got to meet the mayor. So obviously Hef was the next step up.

Unfortunately, this means, going forward, that most of you will probably have to wait until you’re not at work to read anything I link to here. But at least you can honestly say you’re reading Playboy for the articles.

Some follow-up reading on the Chicago Journalism Town Hall questions

There’s been a flood of discussion on the Chicago Journalism Town Hall this past Sunday. In addition to my piece, you can find audio and video from the event, plus many thoughtful written musings which are collected at the end of this post and in this post on the CJTH site. Whet Moser and Andrew Huff also posted their recommendations for moving forward. And if you’re looking for the eight models for presenting the news, Barbara Iverson has you covered.

The need for new models of journalism is not a new realization for many, but I think it’s fair to say we’ve reached the tipping point for folks who made their bones in the print-only world. I say this not just because of the CJTH, but also because of several pieces I’ve seen this week that touch on the same issues raised during the event:

Cory Bergman at Lost Remote warns against the tendency for writers to ignore the business end of things.

Eli Sanders at The Stranger follows the fear and loathing at the Seattle Post-Intelligencer over the possibility of going online-only, and what it means to be an authority in the new century.

Larry Kramer at The Daily Beast rightly notes that it’s not about newspapers, it’s about news.

And if you read nothing else, read this story from the New York Observer. If you’re as tuned into this stuff as I am, you will get four or five great ideas out of it that can apply to whatever you’re doing on your own sites.

Chicago Journalism Town Hall: Not enough words

Sometimes I feel like what I have to say has a better home on the TOC blog, even when it’s 2000-some-odd words long like my Chicago Journalism Town Hall recap. Hey, I’m the Web editor over there: I had to weigh in, and didn’t feel the viewpoints of the three-hour panel could best be presented in less.

Despite the shots I took at him in my piece – and as much as they were deserved, they pained me to write them all the same – I think Ken Davis did something great: He got the discussion started, and spawned several reactions around the Web. It’s up to us to refine it, and bring the viewpoints that were missing to the table. Such is the nature of the medium.

UPDATE: Since TOC‘s redesign killed the old link above I’m re-posting it in full here.

It was 45 minutes into a meandering discussion at the Chicago Journalism Town Hall before someone gave the discussion what it needed: a death sentence for the way the news is currently reported and sold. Depending on which side of 25 you are, it was either surprising or par for the course that said person was legendary newsman John Callaway, someone who might have been expected to have a bit more romance for what used to be.

“Newspapers, as we know them, are dead,” said Callaway. “Ask yourself: ‘What is the [new] model?'”

By the end of the three-hour discussion, moderated by (and peppered by frequent discursions from) former WBEZ newsman Ken Davis, and led mostly by a panel of well-established representatives of the old guard of Chicago journalism, no one had come up with the answer, but some had figured out the right questions to ask, while others realized they had a lot to learn.

Davis said in choosing the venue, the Allegro Hotel at LaSalle and Randolph, he meant to invoke the backroom deals made by political hacks at the Bismarck Hotel, where the Allegro now stands. (I always thought it was the Morrison Hotel, but no matter.) Perhaps he thought the assembled group of 300 or so journalists and writers would find a way through the morass of corrupted ideals and agree on the best candidate for saving the news business. Unfortunately, to paraphrase Ald. Paddy Bauler, Chicago news ain’t ready for reform.

While some on the 13-person panel could count themselves as bloggers, only three could lay claim to it as their professional day job (four, if you count Chicago Tribune columnist Eric Zorn, who probably blogs more than any other print columnist out there). So rather than an exchange of ideas between the print and online worlds, the Town Hall felt more like the funeral that Callaway suggested. From the outset, it was clear that many were there to pat themselves on the back for a job well done, rather than perform an autopsy. By my count, there were 25 rounds of applause, most given for hard-to-argue bromides like “Ethics are important” and “People should get paid for their work.” Perhaps from the perspective of the veteran journalists, it seemed as if it was necessary to stipulate all that, even though no one argued against it.

Of course, the good old days weren’t always good. Geoff Dougherty, founder of the Chi-Town Daily News, noted that his former employer the Miami Herald was laying people off when it was making a 20% profit, in an effort to get to 25. Andrew Huff, editor and publisher of Gapers Block, a site for Chicago news and commentary, also said that the definition of journalism has changed since Pulitzer and Hearst were duking it out (not a set of standards anyone’s looking to re-adopt) and would probably change again.

Perhaps what was most troubling is that some in the room didn’t realize they share a common set of problems. For every complaint on the print side, there was a corresponding grumble from the online side. Sure, there are online sites that don’t properly attribute their content, but as Brad Flora of the Windy Citizen (a Digg!-like news aggregator of Chicago stories) pointed out, when the Chicago Tribune re-published a video that first appeared on his site, it failed to acknowledge the source. And as many were rending their garments over how you can publish anything you want on that gosh darn Internet, the online folks were classy enough not to mention Judith Miller.

The biggest problem facing the new order of journalism seemed to be a lack of operational definitions and universal adoption of standards. Two of the panelists—Ben Goldberger, editor of Huffington Post Chicago, and Huff— run sites that depend, to varying degrees, on linking to other sites’ content; original opinion and commentary; and discussion of the same. Both were referred to as “news aggregators” during the panel. Yet the ways in which both sites attribute and utilize content from other sites is vastly different, to the point of controversy. (When Davis asked Goldberger why HuffPo was able to make such an impact, Callaway harrumphed: “Theft!” He may have meant online sites in general that don’t properly attribute its sources, but that didn’t stop Goldberger from squirming.)

Even the experts in the field find themselves thrown by online terminology. Robert Feder, former media columnist with the Chicago Sun-Times, said “No one goes to Medill to be a platform manager. It sounds like a CTA job.” Sure, it’s a good line. But would he say that no one goes to Medill to be a managing editor? The responsibilities are the same, it’s just the medium that’s different.

For many, it’s the lack of institutional memory and the potential for unenforced ethical standards that’s troubling. But ask anyone who’s written for the Internet and they’ll tell you the medium is famously self-correcting, if for no other reason than the litany of self-styled media critics to be found in comments on any number of stories. Barbara Iverson, co-editor and publisher of ChicagoTalks.org, said it’s easier to check out the veracity of a story on the Internet. And if the number of people in the room who were unemployed or underemployed was any indication, Chicago certainly doesn’t lack for journalists, at least a few of whom could be talked into the role of ombudsman for any nascent sites.

When a few of the panelists, including Callaway, suggested it was possible to fund a viable news organization with $2-$4 million, many in the audience—and some on the panel—scoffed. And sure, if you’re going to maintain the level of staffing and overhead that most newspapers have now, that probably seems like a pittance. But the costs of maintaining a vital online presence that does real journalism are nowhere what some would imagine;  Dougherty runs Chi-Town Daily News with a $340,000 two-year grant from the Knight Foundation.

In this new world, it’s not possible to be all things to all people as a news entity. Thom Clark, president and a founder of Chicago’s Community Media Worskshop, said newspapers don’t need to bother with reviewing movies anymore  since arts and entertainment publications like the Reader and Time Out Chicago do it just fine. Left unsaid was the hyperlocal mission, or even the hyperspecific, covering just one particular part of the news with a small staff and low overhead. But even Huff admitted that with a low overhead of $100/month, he wasn’t making enough to pay his writers, all of whom write for the site out of “love for the city.”

NBC 5’s political editor and Chicago Sun-Times political columnist Carol Marin then raised a salient point: Some of the costs of journalism are hidden. Like when lawyers are hired to go to court to defend the rights of reporters, or when newspapers are telling a story someone doesn’t want told, the way the Sun-Times‘ Natasha Korecki did with Roland Burris’s affidavit. When Zorn wondered how you can retain quality people for thirty grand, Callaway suggested a cooperative freelance model was the way to go, back to the $4 million newsroom again. He said perhaps foundations could bankroll news investigations, without actually owning the news organizations themselves. Some on the panel flirted with an “iTunes for news,” but no one pointed out that iTunes users only pay for music they think they’ll like, not for the stuff they listen to because it makes them more aware of the world.

There are models out there to fund the news, and this was another group that went underrepresented on the panel: No one from the business side was on the panel, and none of the CEOs and entrepreneurs who could fund a new kind of news organization were in the offing. Iverson started to discuss eight models for funding journalism, but only got as far as five before Davis cut her off, saying “I think you’re overwhelming us…” On the contrary, Iverson had managed to distill the economics of the news into a few easy-to-understand structures, even if you’d never seen the assets side of a balance sheet. There seemed to be a pervading fear of profits, or at least profit-making enterprises, in the room. Perhaps this is because the two Chicago dailies have been so used and abused by those focused only on the bottom line or, in the case of the Sun-Times, thieves. (That’d be Lord Black, not those darn bloggers.)

But Davis’s hesitation to discuss the business side of journalism is yet another holdover from the good old days when editorial was on one side of the wall, and sales and marketing were on the other. Smart writers now know that while editorial should never be influenced by money or marketability, they still need to have more than a passing familiarity with the business end of things, as one day they may find themselves in the editor/publisher role, creating partnerships or selling a product to make enough money to keep the news rolling.

And that’s the real question:  how to make money from all this news. None of the panelists had much of a chance to opine on this point, so this is where the audience got involved. Flora and Sachin Agarwal, chief executive behind dawdle.com, an online video-game retailer and Windy Citizen advertiser, blamed the ads themselves, noting that most still looked like crap or were so much eyewash, unable to deliver the kind of bold, dynamic look that serves the advertiser’s product as well as print. Emboldened, Agarwal began pointing fingers, saying that sites like Pitchfork and Ars Technica had made “millions of dollars” in online ad sales and why couldn’t the panelists figure this out as well? Of course, he neglected to mention that getting people to pay for music and technology news and reviews isn’t quite like getting them to pay for news about the local library board or for a reporter to sit in the state capitol building all day, cultivating sources.

Leave it to Zorn, long the early adopter among those in Chicago’s mainstream media, to bring in some reinforcements. During a Quixotic discussion of micropayments and Kachingle, Zorn said: “Who’sWhere’s kiyoshimartinez?” Turns out, he was one of several people who’d been live-Twittering the event, offering instant feedback and reporting about it. (Note to everyone who suppressed giggles when anyone mentioned Twitter: That’s why you’re in this mess.) Zorn had him stand up and, as he later wrote on his blog, voice some of his criticisms of mainstream media sites which:

“…offer really poor advertising solutions for advertisers, which means they’re not going to get high advertising rates and therefore not capitalize on the vast amount of ad inventory they have but can’t sell. In turn, they’re forced to run remnant ads, which have very low CPM values and you end up with ads that feature belly fat and mortgage rates.”

At one point, someone mentioned Google as a model, but Huff noted the idea of presenting every bit of news without filtering for your audience was dead too, and a site like Capitol Fax, which aggregates political news for free while charging a subscription fee for original, reported content, was worth pursuing. But take away that aggregated news, Marin replied, and all you’ll have left is a really good newsletter, without explaining what exactly was wrong with that. Still, as much as the sites that drive traffic back to the original sources are a needed part of the news consumption process, they don’t, by themselves, pay the salary of more than one or two reporters. There might have been more ideas in the room, but many of those who got up to speak seemed more interested in telling sob stories.

Some seemed to recognize that the funeral would only last a couple of days before it was necessary to get on with life. Davis suggested that the technology and methodology for fully monetizing online news had yet to be developed. CLTV political editor Carlos Hernandez-Gomez said that reporters need to be able to work in multiple mediums and brand themselves. Indeed, those will be the kind of reporters who will be able to staff the for-now theoretical $2-$4 million online newsroom. Marin surmised that some reporters aren’t good at editing, writing and producing; some are only good at one thing.

If anyone in the room thought they didn’t need to start learning how to do more…well, it’s their funeral.

For more wrap-ups of the Chicago Journalism Town Hall, and coverage as it happened, search Twitter for the hastag #cjth. For a live-blog of the event, visit ChicagoPublicRadio.org.

Update: Per Eric Zorn’s comment below, I’ve corrected his quote. Kiyoshi Martinez also has a blogroll of recaps, plus links to audio from the event. Also, here’s Geoff Dougherty’s plan for creating a $2 million newsroom.

Update 2: There are two new ruminations on the CJTH: One from Whet Moser, the Reader‘s Web guy, who expertly breaks down the various blog/aggregator models and the importance of SEO; and another from Andrew Huff, EIC and publisher of Gapers’ Block, who makes an important clarification about the money he makes on the site that also clarifies his quote about re: their ad sales:

While it’s true we’re not making a ton of money, we’ve been profitable, inasmuch as we’ve made more money than we’ve spent, for years. The size of that profit has been limited in large part due to my personal lack of time to devote to selling ads. Not a lack of a market, but the inability to serve that market. Even without a dedicated sales force, we’ve made enough in the last couple years for me to quit my job and make Gapers Block part of my full-time work. And now that we’ve got someone actively selling ads for us, I’m confident that profits will continue to increase, allowing us to pay more than just me. (We started to pay the editors this year; it’s a pittance, but it’s something.)

Facebook users: When a handful is only a couple of fingers

I’m still waiting for the whole Facebook terms of service fracas to fully shake out before I decide what I’m going to do about the minimal content I have posted there.***

But I will say I’ve composed a possible letter in my head to friends, asking them to consider removing photos with me in them since the majority of the me-related content of FB comes from other people. I know I’m not alone here, and it’s something few commentators have mentioned thus far, which is odd. I don’t own that content, and while you could certainly mount a legal challenge against your friends over unlawful use of your image if you really wanted to…do you really want to? Maybe this is the third day story.

You know what’s not helping though? Posts like “Facebook Losing Members Over ‘Terms of Service’ Changes” from Media Bistro’s WebNewser, which mention that a “handful” of users are canceling their accounts then goes on to cite only two people: CNBC’s Becky Quick and the NYT’s Sasha Frere-Jones. One might further question the worth of the piece when one realizes that the post refers to Jones as a woman. Um, he’s not.

*** As I wrote this, I noticed that Facebook posted a mention on its members’ home page, saying it’s going back to its old terms of use. You know what’s unsettling about Facebook? It seems to have an uncanny ability to piss off its user base. Almost like it’s so ignorant of their needs and wants that it tries to push things through despite the possible repercussions, just to see if it can get its way. I wonder why that is.

HuffPo’s Jonathan Peretti thinks Web editors are idiots

I mentioned in my last post that I wasn’t as upset as the Chicago Reader’s Whet Moser was about ChuffPo – the Chicago branch of the larger Huffington Post site – stealing content from local publications. Mainly because everything ChuffPo does is slapdash so it was hardly surprising that their ethics were, too, and the resulting direct harm seemed minimal.

Until someone in the comments at Chicagoland pointed out that ChuffPo’s Bon Iver page with the stolen content was coming up higher in a Google search for “Bon Iver Vic” than the Reader’s page (the source of the stolen content). You can see that here (3rd and 4th main links).

So there was the direct harm laid bare. And HuffPo’s reaction to their questionable behavior dialed up my ire.

Wired picked up the story, and spoke with HuffPo co-founder Jonah Peretti, who admitted that they made a “mistaken editorial call.” And to the site’s credit, they are no longer publishing the full content, and are instead excerpting it the way every other aggregator site does.

But the other comments attributed to him in the story show he still doesn’t get it. Excerpts from the Wired story in ital below, my comments following:

The Huffington Post co-founder Jonah Peretti says the contretemps are overblown — that the complete re-printing was a mistaken editorial call and that The Huffington Post’s intention in aggregating other publications’ content is to send traffic their way.

“You tease, you pull out a piece of it, and then you have a headline or link out,” Peretti said. “Generally publishers are psyched to have a link.”

And yes, that is what they did. And no one – Whet, me or any other Web Ed – begrudges anyone else who does this. I love when people excerpt our content, credit us and add a link. Hell, we even allow for some image use so long as the credit’s given to the photog.

But as Whet’s pointed out (read Update III in this post), what ChuffPo was doing was not aggegrating. It was re-publishing without permission then selling ads on that content. It’s hard to put this in print terms because the Web is so different in its approach. But the generally accepted notion is when you aggregate, you excerpt. And ChuffPo was re-printing entire previews.

Did they send traffic our way? Yes, some. But it was minimal. The greater crime here was in establishing a competitive advantage vis a vis SEO traffic, which means any traffic they did send our way was superseded by their higher Google search rankings (which equals more traffic).

(The more I write about this, the more I wonder why I wasn’t more pissed off. Note to self: When something like this happens in the future, throw a ball against a wall Toby Ziegler-style until you think it all the way through.)

Anyway, back to the Wired article:

The headlines on The Huffington Post, he points out, link to the outside site, not to The Huffington Post page with the two to three paragraph excerpt of the other site’s copyrighted story. That page is accessible via the comment and “Quick Read” links, and serves as the “anchor” page for comments or for follow-up reporting by The Huffington Post staff.

Almost all of the readers click on the headlines and photos, according to Peretti, which means most don’t know the excerpt page exists since they get sent to the original site.

Then why have those pages at all? Again, it’s all about the SEO, baby. Peretti’s being disingenuous here. He knows that people will find those pages via Google, which accounts for a significant portion of his site’s traffic. Just because it happens off the main page, doesn’t mean it’s not happening.

Also, to suggest that users don’t know those pages exist because they only link to the QuickRead or Comment sections, particularly since HuffPo has vigorous commenters, is also disingenuous.

He compares The Huffington Post’s influence on other sites traffic to that of link-voting sites like Digg and Reddit. Those sites, along with Google News and Slashdot, rely on small excerpts or user submitted summaries of online content in order to create lists of the best new content on the web.

First of all, don’t flatter yourself, sir. The effects of ChuffPo on our traffic are minimal compared to sites like Digg, Reddit or Fark. The competitive advantage they’re creating for themselves far outweighs the tens of weekly pageviews we get from their site.

Also, the operative words here are “small excerpts” and “user submitted summaries.” Note that HuffPo was neither printing small excerpts or user submitted summaries.

But Peretti says some 95 percent of The Huffington Post’s traffic goes through the headline links, and that when The Huffington Post does original reporting or adds to a story, it changes a headline link to point to its content.

That 95 percent number is hazy and here’s why: It suggests that a very small percentage of HuffPo traffic reaches those pages with the stolen content, which is supposed to diminish the ire that Whet and others have over their practices. “Hey, it’s only 5 percent of our traffic! Why are you getting so upset?”

But what Peretti probably means is 95 percent of the traffic from the HuffPo/Chuffpo home pages clicks through the headline links. That’s a big difference. The real question is how much pf a percentage of their overall traffic do they get by using SEO strategies to get click throughs from search engines?

As for disgruntled publishers, Peretti seems genuinely perplexed and says The Huffington Post links should be good for them — and suggests that upset editors get in touch and build relationships with Huffington Post editors.

Yeah, silly us. We should have predicted they’d steal our content and called them pre-emptively to ask them to instead enter into a business relationship with us.

I have some Christmas shopping to do this afternoon. I think I’ll just steal a couple things, and if a retailer gets upset about it, I’ll suggest to them they get in touch with me and ask me to become a paying customer instead.

I think I’m out and then….

I thought I was done talking about Chuffpo here until Whet, who is the Web Editor at the Reader, noticed that ChuffPo has been running blurbs and writeups from the Reader, TOC, Centerstage, Decider and others. Whet explains it all in posts here and here:

I’ve known this for a while, and perhaps it’s hurbis on my part, but I find everything ChuffPo does, from the top down, to be substandard so I have a hard time getting worked up about anything it does. The original content it features is from writers who either do better work elsewhere or do crap work altogether, the attribution they use is so disguised it might as well not exist (if even Roger Ebert’s confused then what should we expect from other readers), and it has no original voice or outlook of its own. Since the site’s had minimal impact locally, I figure whoever’s reading it doesn’t know any better, is attracted by nothing by the name and the site will eventually wither away.

I don’t know anyone in Chicago who says “Yeah, I really like ChuffPo. It’s an interesting read.” Everyone who ever mentions it is doing so with ire raised (whether its about its aggregation strategy, its practice of not paying its writers*, its habit of not posting critical comments, etc.). The last time I heard anyone mention anything about a post** from any of its writers was during the whole Steve Dolinsky*** kerfuffle and again – ire raised.

All this explains why I haven’t been as worked up about it as Whet. It’s been lousy from Day One, and continues to be lousy. It doesn’t seem to be doing direct harm to TOC and since any given day hands me a solid list of things that do (or potentially might), my focus ends up there. Is it wrong they’re running whole writeups from other, better publications? Yes. Would I join in a call for them to change their attribution/linking/aggregation strategies? Yes. Is it its worst crime? Arguably, no.

But perhaps it’s worth taking a stand against this due to the theory of the slippery slope. If a site like Chuffpo – which uses other publications’ content to acquire millions of dollars in financing that could be spent on more responsible media sites – can get away with something like this, what’s to stop any other site from doing the same. There’s nothing inherently wrong with being an aggregator of content, but Whet makes a compelling argument that ChuffPo’s way is the wrong way to do it (a.k.a. flat-out stealing), especially if they’re making money off it.

So perhaps tomorrow I’ll ask for some of that money back.

* A practice I defend, in part, here.
** Technically, the last time I heard anyone mention anything about a ChuffPo post was when Mike Doyle wrote about the CTA’s plan to eject the homeless from its cars. But that was originally a post Doyle wrote for his own site Chicago Carless, which proves its writers save their best work for other places (or cross-post it).
*** Who’s no longer writing for them, it seems.

Motrin gets it, why doesn’t Ad Age?

Last week in TOC, we hosted a roundtable with professional food critics, bloggers and chefs (full transcript is here). It’s a follow-up, of sorts, to our critics’ roundtable back in January and it’s the second story our senior food and drink writer, David Tamarkin, has written on the topic (in the first, he profiled the foodie site LTHForum.com and in the second, he talked to local professional critics about how online critics affect their jobs*. I realize I’m biased, but I’ve been impressed with the overall tone of TOC‘s coverage of online critics (which includes this article I wrote). It isn’t fear-based and doesn’t seem like it’s trying to unring the bell of online amateur criticism.

Would that everyone else in the publishing industry could get hip to that.

This Ad Age article on how an online blog/Twitter-driven campaign caused Motrin to pull an ad shows that not everyone has put his or her finger to the wind. (The ad is here. I don’t have a uterus, but even I’m irritated with that ad.)

This graf stood out to me:
“The ultimate demise of the campaign demonstrates either how quickly social media can galvanize a groundswell of opinion or how much power over online discourse they can give a few vocal tastemakers with outsize weight.”

First of all, these people were – for lack of a better phrase – experts in their respective fields with audiences to match. Just because they’re online, doesn’t make them any less so (I’d argue it makes them moreso but whatever). Plus, the bitter snarl hovering over the phrase “a few vocal tastemakers with outsize weight” wouldn’t be there if we were talking about, say, academics or traditional publishing outlets. Or is it only OK to have a few vocal tastemakers so long as they serve a business model?

If I was a company, I’d want to know what people are saying about my product – good or bad. Which is worse for a company like Motrin: To know there’s a wave of displeasure about an ad, so you can pull it and show you’re responsive to the views of your customer base or to trundle along in ignorance and contempt of that same audience. Eventually the latter will wear down your market share (incidentally, that’s how online critics serve your biz model). As anyone knows, for everyone one or two people that let you know about their feelings about your product, there are several who share their views but haven’t let you know.

So this isn’t about the few, this is about the many. Everyone has the potential to be a vocal tastemaker now, which the Ad Age article does point out:

“You don’t have to have thousands of followers to start something like this,” said Mr. Armano, who also blogs for AdAge.com. “Many people with small networks have just as much influence as a few people with large networks.”

The ones who add little value to the conversation will get lost in the din.

* In a comment on this story, a woman quoted in a WSJ article that David references mentions that Yelp now labels reviews of a restaurant where Yelp holds events as “Yelp Event at ___.” I always thought it was an ethical lapse for Yelp to allow for published reviews about a venue when A) they were involved in a business relationship with that venue and B) the reviewer’s experience during these events is hardly representative of the venue. Now if only they could get Yelp employees to stop publishing reviews of businesses they work with…

Do you take this woman to be your lawfully wedded blogger?

I don’t generally blog about my personal life here, unless it’s in the service of a larger point (or if I meet a member of The Faces). But this week I’m taking part in something that allows me to talk about a couple things that I’ve been looking for an excuse to discuss.

Next week, I’ll be getting married. So, of course, my fiancee Erin and I started a website about it: scottanderingetmarried.wordpress.com*. I explain the reasons why we did this on the site so I won’t re-iterate them, but suffice it to say doing this allows people who won’t be at the wedding (which is everybody) a way to experience it, while still allowing us the freedom to focus on the two of us coming together in marriage. I think having the site actually enhances that. There are two ways to really understand something: teach it to someone else or write about it.

This isn’t a new idea. Plenty of people have wedding websites, though most of them document the events up to the day of the wedding, not necessarily the day itself. Still, I’m sure there are people out there who have taken this idea much farther than we intend to. Yes, we’ll be Twittering throughout the weekend; no, we won’t be Twittering during the ceremony; and no, we won’t be streaming it live. We’ll leave that spectacle to someone else. Maybe Julia Allison** once that dear girl settles down.

For me, this is the last garrison to fall in my efforts to limit the amount of “me” that’s out on the Internet. I wrote about this last year when Erin and I decided to stop keeping details of our relationship off her blog. Most of you know that, in addition to being a published author, Erin has quite the following online. A lot of wonderful things have happened for her as a result, but a few not-so-wonderful things have as well. Knowing how difficult relationships are in the first place, I didn’t want to invite scrutiny or criticism of us by making that part of our life public.

As Erin pointed out to me, part of who she is involves writing about her personal life. And if I was going to be in a relationship with her, I knew I needed to accept that. But Erin’s also never been the type to take a warts-and-all approach, so generally it’s the good stuff that makes it onto ejshea.com, not the rough stuff. In the year or so since my relationship with Erin has been online, I haven’t found occasion to regret it, and I’ve been the recipient of some lovely comments from her peeps.

Regardless, I don’t see myself following her lead. I’m quite happy with this blog being about issues of culture, rather than all the wonderful things that happen day-to-day with Erin (and our dog). Still, I’m enjoying the change of subject.

It would have seemed like an obvious omission to not mention our wedding site here, especially since I often write about online culture. As I’ve said, if you do what I do for a living, it’s pretty much impossible to not leave a big digital footprint. And with Facebook et al., even the stuff you did ten years ago is out there for public consumption, nevermind the stuff you did ten days ago. So it’s best if you embrace it and learn how work with it, as working against it is futile.

* If you want to set up a quickie blog-based website, and want maximum flexibility in working with various “Web 2.0” widgets, avoid WordPress like the plague. You can’t add a Twitter badge (the RSS version of Twitter feeds looks like ass) and I couldn’t embed an Imeem playlist. Yes, the layout is clean and sharp. But almost everything we’ve tried to add, aside from a Flickr badge, has been a major pain in the ass. Maybe this changes if you use a local install or spring for the customizable CSS, but that doesn’t take away from the fact that the cheapest, easiest solution is still Blogger.
** Am I the only person who didn’t know she was from Wilmette? Man, that really explains a lot.

Great moments in Web design

And by great, I mean “Holy hell, New York Daily News, why are you looking to MySpace and Photobucket for design tips!”


Click to enlarge

I really don’t think background ads, like this one for Life On Mars, are effective. Sure, it’s “noisy” and obvious, but it’s also absorbed into the overall design of the page, so rather than an eye-catching ad, it just looks like lousy design, leading to unconscious resentment by your users. Sort of like when the air pressure drops and you get a headache but can’t figure out why.

(h/t dan360man)