Reading, listening, liking: NYE ’22 edition

Lydia Loveless at Golden Dagger in Chicago on January 30, 2022
Lydia Loveless at Golden Dagger in Chicago on December 30, 2022

A selection of things I enjoyed this month:

This paragraph from Grey Horse’s newsletter, written by fellow OG Chicago Twitter person Kate Gardiner:

It’s easy to look away from potential wrongdoing when you want to believe an optimistic story. The temptation is even greater if you want to emulate the protagonist. “I could be like him,” the thinking goes — and that thinking gets complicated when you take into account that getting to be like him might take some dirty work.

Yes, it’s about SBF but it’s also about why knowing your values can keep you from making mistakes.

Rachel Maddow Presents Ultra: I’ve been enjoying this for months, but it recently wrapped in a satisfying, if cautionary, way. It poses the question “how do you fight fascism in America when it’s supported by a professional PR campaign and reaches the highest levels of government?” It’s a complicated answer best summed up as “it takes all of us doing our part.” I found comfort in the idea that we have been here before and we know the way out, but also discomfort from knowing it’s a cycle. Our form of government allows fascism to rest beneath the surface. We are threatened by an invasive species we can’t ever truly kill because the roots are impossible to dig out of the soil. We can stop its growth if we have the resolve.

This 2012 oral history of Rainbo Club: A ten-year-old profile from Eater Chicago of the legendary Wicker Park bar told through stories from some of the artists who lived, worked, and created there in the 1990s (Dmitry Samarov, Tim Kinsella, Liz Phair, and others).

Nikki Morgan at Golden Dagger in Chicago on December 30, 2022

Lydia Loveless and Nikki Morgan: Last night, I saw both of these women perform at a sold-out show at Golden Dagger (fka Tonic Room), a tiny, warm room with good beer, great cocktails, and a stage just barely big enough to hold the flames coming off Loveless and Morgan (who opened). Lydia Loveless is from Columbus, Ohio with some Chicago DNA due to her complicated, former time spent on Bloodshot Records. Straddling the lines between alt-country, indie punk, and wry humor, she sets fire to sadness, death, and danger. Nikki Morgan describes herself as a girl from North Carolina, but says Chicago made her the woman and artist she is today – someone who mixes soulful vocals and Southern swamp. Lately, something new has often signaled heartache. But in last night’s show, both artists felt comfortable enough in the intimate venue to share new songs, which portended something more hopeful for 2023.

NASA’s Mars InSight probe goes quiet: Do you like to feel sad about anthropomorphized space vehicles? Well then this story (and the related Twitter account) is for you.

A thread of life advice from former Chicago Tribune writer/editor Kevin Williams: Unlike most “what I’ve learned” threads like this, which are often about showing how wise, clever, and interesting the poster is, Kevin’s is about how to improve the lives of others, starting with yours. He’s apparently moving to Portugal, which is good for him but bad for Chicago.

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